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Museum exhibition hall with ceramic vessels in softly lit glass cases

Chinese Ceramic Headrest

A hard ceramic rest for the neck, used in China for sleeping and for resting during the day. Made in Tang and Song forms — the box form, the lion form, the reclining figure — glazed in sancai or in white and blue.

Scholar's studio display shelf holding small ceramic and bronze objects

Why a Hard Pillow?

A ceramic headrest sounds uncomfortable to a Western eye. In use it is not a pillow in the Western sense: it supports the neck and jaw, keeps the elaborate hairstyles of the period intact, and stays cool in summer.

It is also an object with a long decorative life. Headrests were made in box form, in the shape of a reclining child, in the shape of a lion or a tiger, and painted with scenes and poetry. Many survive in better condition than the textiles they were made to protect.

Potter's wheel in a craft studio with a freshly thrown clay bowl still damp on the wheel head, a wooden rib and sponge beside it

Typical Specifications

Height
8–15 cm
Length
12–25 cm
Width
8–15 cm
Body
Low-fired earthenware, hand-modelled
Open door of a traditional brick kiln with stacked glazed and unglazed vessels inside, embers glowing deep in the chamber

Headrests are collected, and the questions collectors ask are the same ones buyers ask about any ceramic: how old, which kiln, what the mark means. We have written about identification separately.

Dark collector's display with a spotlighted vessel under a glass cloche
Export packing area with foam-lined crates holding ceramic vessels

Request a Quote

Tell us the craft line, the form, the quantity and the destination. We will come back with a quotation, lead time and packing details for your specification.